Sculpture drawings

Introduction

I began studying sculptures as an exercise to improve my life-drawing. I now try and express the drama and subtleties they embody. I think it is wonderful how they communicate across vast stretches of time.

Soft carbon pencil drawing of figure from the Parthenon in the British Museum
Soft carbon pencil drawing of a figure from the Parthenon in the British Museum
Soft carbon pencil drawing of figure from the Parthenon in the British Museum
Soft carbon pencil drawing of figure from the Parthenon in the British Museum
Pencil study of Michelangelo's 'Rebellious slave' sculpture
Pencil study of Michelangelo’s ‘Rebellious slave’
Watercolour pencil drawing of Michelangelo's 'Rebellious Slave' 2 angles combined
Watercolour pencil drawing of Michelangelo’s ‘Rebellious Slave’ at the V&A
Conte study of Jason & the Minotaur sculpture at the V&A Museum
Conte study of Jason & the Minotaur sculpture at the V&A Museum, London
Drawing of Michelangelo’s “Crouching Boy”
Rodin figure sculpture drawn with soft carbon pencil
Rodin figure sculpture drawn with soft carbon pencil and water
Ink study of George Baselitz sculpture
Ink study of George Baselitz sculpture at Serpentine Gallery, London
Pencil drawing of reclining figure sculpture by Henry Moore
Pencil drawing of reclining figure sculpture by Henry Moore at Tate Britain
Alternative view pencil drawing of the reclining figure sculpture above
Front view pencil drawing of the reclining figure sculpture above
Pencil drawing of a female figure sculpture by Henry Moore
Drawing of a female figure sculpture by Henry Moore in Tate Britain
Pencil drawing of 'Snow Lady Gourd' by Kate Malone at the V&A Museum
Drawing of ‘Snow Lady Gourd’ by Kate Malone at the V&A Museum

Study of bust of William Hogarth by Louis Francois Roubiliac
Study of bust of William Hogarth by Louis Francois Roubiliac, NPG.
Study of a detail of ‘Samson Slaying a Philistine’ by Giambologna. V&A, London
2 study of hand from 'Eve listening to the voice' on sepia paper
2 studies of the gesturing hand of ‘Eve listening to the voice‘ by Edward Hodges Baily, V&A London
Conte pencil study on sepia paper of Torso
Conte pencil study of ‘Torso of Banovic Strahinja by Ivan Mestrovic. V&A, London